OUT OF GENUINE CURIOSITY…

To all the folks who voiced unspeakably rude sentiments directed at the host of this board–which would be me–simply because I’m skeptical of the scramble for war at a time when domestic issues unattended to (or exacerbated) by the administration loom so large…

How many are actually in the service and would be required to fight? How many have children who would be required to go? And how many of draft age support a draft (and I’ll be going on the assumption that the rudest and most blustering who respond affirmatively to the last one are full of crap.)

Just wondering.

PAD

ALTERED STATE

In case you were wondering, no, I didn’t watch the State of the Union. I simply couldn’t possibly listen to, or look at, Bush for such a sustained period of time. A country with a spiralling economy and a series of anti-environment initiatives faced with the prospect of a multi-billion dollar war that could well serve to be the final wedge in the drive of world isolationism that’s been fostered since the current administration came into office.

State of the Union? Kinda sucks at the moment. Don’t really need W. to tell me that.

PAD

“This isn’t some deep space franchise, this station is about something!”

The Year The Great War Came Upon Us All (also known as Babylon 5: The Complete Second Season) is now available for pre-ordering, to be shipped at the end of April. So for those of you that’d like to see Soul Mates and There All The Honor Lies (written, of course, by your host, Mr. David) in widescreen, extra crispy, and with Dolby sound… click through!

SUPERGIRL TRADE PAPERBACK

I don’t normally do two blog entries in one day, but I gotta share this one:

I’ve been informed by my editor on SUPERGIRL, Lysa Hawkins (who is also my editor on “The Fallen Angel”) that “Many Happy Returns”…SUPERGIRL #75-80…has performed so well that it’s going to be collected as a trade paperback when the run ends. So the first eight issues and the last six are collected. Interesting bookends.

PAD

SEEING PRECEDENTS

It’s always interesting to me how fans seek out precedents for things. It’s almost as if the crafting of stories is a huge “Where’s Waldo” to them as they try to determine where they’ve seen things in order to catch the writer out at something. I said in an earlier posting that fans don’t understand the concept of ideas, and that put some folks’ noses out of joint, but it remains true. One fan recently dismissed “Alias” claiming he doesn’t watch it because he watched it back when it was called “La Femme Nikita,” apparently thinking that since both series involve espionage and females, they were identical. Which, of course, is like dismissing “La Femme Nikita” as a knock-off of “The Avengers” or “Modesty Blaise.”

Currently fans are perceiving parallels in “Supergirl” to “Kingdom Come.” Truth time: With all deference to Mark Waid, a wonderful writer, I barely remember anything of the plot of KC. If anything, I was riffing “Terminator” (the methodical annihilation of females with the same name in order to eliminate a threat they pose in the future) and “A Tale of Two Cities” (with a lookalike substituting herself for another, doomed lookalike), with a dash of “Buffy” thrown in (evil master villain imprisoned and hoping cute blonde provides means of escape) for the long-time fans who apparently thought every issue was lifted from Joss Whedon.

Then again, I suppose it’s only fair. When “Kingdom Come” came out, as I recall fans claimed that certain sequences in KC were direct rip-offs of “The Last Avengers Story,” written by yours truly. So it comes full circle.

PAD

UPDATE FROM THE CORNFIELD

Received the following e-mail from SPACE CASES co-creator Bill Mumy, and thought I’d share it:

It IS still a good life.

Who would ever have thought that 42 years after filming “It’s a Good Life”, a “classic” episode of the original “The Twilight Zone” television series, that I’d return to the role of “Anthony Fremont” the “monster” with almost limitless mental powers in a brand new episode of “The Twilight Zone”, once again teamed with Cloris Leachman and adding to the mix, my 8 year old daughter Liliana Mumy?! WOW!

When this project, “It’s Still A Good Life” was initially discussed by me and the executive producer of the series, Ira Behr, I was really excited about the possibility of playing Anthony again. Some characters have a way of “staying” with you and Anthony certainly has been one. Honestly, I loved kicking the concept around with Ira, but I didn’t really think it would happen. Then, I got the call. “They want to do it.”

I got nervous. It could be real. Making a sequel to something that is considered a classic, that was named by TV Guide as one of the best 100 television shows ever made is challenging. There are sequels… “Godfather 2” and there are sequels, “Exorcist 2″… I started to worry.

I wrote outlines and submitted them to Ira. He wrote an outline and gave it to me. I liked his direction a lot. I wrote notes tweaking his outline.

He and I agreed on one thing: We wouldn’t do it unless we both felt the script was something we believed Rod Serling would have given the thumbs up to.

Ira generously invited me into the writer’s room to “break” the story. We spent a morning and an afternoon fine tuning it together and then Ira wrote the teleplay. I thought it was great. The very first draft of it. It was all there. He’d captured the characters perfectly, they way Rod Serling had written their dialogue in the original. Their voices felt true.

And… amazingly, the wonderful part of Anthony’s daughter, Audrey, (originally “Amy” but had to be changed for legal clearance reasons) was created and written for my own daughter Liliana! What an amazing opportunity! To return to one of my favorite all time characters and to be able to co-star opposite Liliana, who’s almost the exact same age I was when I originally played Anthony… it felt great. Ira and I both strongly agreed we HAD to get Cloris Leachman to reprise her role as my mother. Not a problem. Cloris loved the idea and came on board.

The deals were made and off we went to Vancouver, Canada where the series is filmed. It’s a great city. Liliana and my wife Eileen were there for over a month last year at this time filming “The Santa Clause 2”, they knew the town well and had made good friends there. We stayed in a nice two bedroom suite at the same hotel they had been in.

Wardrobe fittings…finding the right look for this “monster” Anthony Fremont well quickly. We were all on the same page. The sets and locations looked perfect. The mood and tone was right. Table read of the script… wow… Liliana’s so natural, so good! Cloris…searching for it… always finding it. It took me a few scenes to connect with the monster, but… there he was. Man… he’s a scary guy. He was scary when I was seven years old, but he was also a cute little freckly faced boy then. He’s not a cute kid anymore.

Imagine if you can the “tone” of Peaksville, Ohio as it was in the original episode. No electricity… Running out of supplies… the despair of knowing this monster could read your every thought and if he didn’t like what he picked up on… you could be sent away, erased and vanished to a place known only as “the cornfield”… or worse. You could be transformed into something horrible and kept here. Now imagine it’s 40 years later… things have not gotten any better.

It’s a dark tale to say the least.

Normally they film an episode of the Twilight Zone in 4 days. We were alloted 5. Most days I worked 15 hours. Everyone on the crew knew they were working on a sequel to something the world called “classic” and the lighting and the coverage was special for this.

The entire experience was special. Everyone treated us all like royalty. I was allowed quite a bit of creative input on this project, and for that I’ll always be grateful. I don’t know how objective I can be at this point. We wrapped it day before yesterday. I haven’t seen it edited together yet. But, I believe it’s going to be a really strong show. A good television show. A real good television show.

I don’t do a lot of on camera acting these days. I feel like I did some of my best work on this show. I hope you’ll check it out.

“IT’S STILL A GOOD LIFE” WEDNESDAY, FEBRUARY 19TH 2003. “THE TWILIGHT ZONE” UPN… 9 PM.

Thanks.

Stay out of the cornfield.

Peace,

Bill Mumy