I Hear This All the Time

That creators shouldn’t get worked up over Internet piracy because, hey, it enables people to sample the work and, by gosh, they will start buying it. And you’ll find plenty of people who will attest to doing just that.

But then there’s the guy who J.K. Woodward–sitting at the adjacent table right now at the Wildpig convention in New Jersey–told me about, who came up to him at the New York Comic Con. The fan was waxing effusively about J.K.’s work on FALLEN ANGEL, and how much he enjoyed his work…and then felt constrained to add, “I don’t actually buy it. I download it. But it’s great!”

You wonder how someone can be that clueless. Well, it’s easy: the massive sense of entitlement amongst some Internet denizens. People who would never think of shoplifting a comic book from a store do not hesitate to take advantage of stolen goods. Why should they feel any kind of shame when it does not occur to them that they are screwing the publisher and creators out of money? They cannot distinguish between, say, free online content provided by newspapers and pirate sites where they can browse through illegal downloads.

And it’s only going to get worse. Because the current generation of users has witnessed the rise of pirate sites and makes use of them without the slightest intention of providing remuneration for the creators, rationalizing it all the way. The next generation is going to grow up with theft as the norm. No excuses necessary. And if you don’t think that’s going to have a long-term negative impact on publishing, you are quite simply kidding yourself.

Because for every nimrod who’s shameless enough to tell creators point blank, “I love getting your work for free,” I’ll wager there’s plenty who are doing the same thing and just keeping their mouths shut. Because they know what they’re doing is wrong. And they do it anyway.

PAD

The Best Comics Fangasm Movie Ever (Pretty much spoiler free)

“What’s the best superhero” film ever made is a question endlessly debated with no concrete answer. There’s too many subcategories. You want fealty to the spirit of the source material? “Spider-Man.” You want the best performance of an iconic hero? Chris Reeves’ “Superman.” Comic strips? “The Phantom.” Most street cred with the Academy? “Dark Knight.” And so on.

But for pure fangasm…for a comic book superhero film that will not leave a dry seat in the house (metaphorically, one hopes)…you simply cannot beat “The Avengers.”

Star Wars plot holes

digresssmlOriginally published March 21, 1997, in Comics Buyer’s Guide #1218

[Editor’s note: Last week, Peter David, writer of stuff, pointed out that there’s a plot concept missing in Star Wars that, as he wrote, “didn’t even exist when the film came out two decades ago.”]

Consider, if you will, the universe of Star Wars.

They have spaceships.

They have faster-than-light drive.

They have blasters.

They have lightsabers.

They have satellites capable of reducing an entire planet to rubble instantly.

They have land speeders. They have All-Terrain Armored Transports (AT-ATs). They have robots in a variety of shapes and sizes, capable of independent thought and action—basically, artificial intelligence. They have laser crossbows. They have cities in the clouds. They have suspended animation capability wherein they can put you to sleep inside carbonite, thaw you out, and you’re none the worse for wear except for the shakes and blurred vision. They have force fields, holographic chess, and high-speed air bikes.

What haven’t they got?