Spider-Man in Comics and Film

digresssmlOriginally published September 8, 2000, in Comics Buyer’s Guide #1399

Spider-Man Fans Up In Arms Over What’s Up with Spider-Man’s arms! Film at 2001!

I have learned to take, with a massive helping of salt, fan angst over news related to upcoming superhero films. My baptism of fire, so to speak, in that arena came at a convention when I was on a general Q&A panel with several other pros. We were asked, as a group, what we thought of the (then) news that director Tim Burton had cast Michael Keaton as Batman.

Others on the panel made it clear that, as far as they were concerned, any thoughts that Burton would produce a “serious” treatment of Batman had now fallen by the wayside. Not only was it bad enough that the film was in the hands of the director of Pee-Wee’s Big Adventure, but it was going to star Mr. Mom. We were going to see another camp treatment. It was inevitable, a sure thing, take it to the bank. Throughout the room, fan heads bobbed in agreement.

And I said, “Uhm… I have no intrinsic problem with either Burton or Keaton. Just because Burton’s known primarily for comedy doesn’t mean he can’t do a serious take on Batman. And Keaton’s an actor. A comic actor can play something straight. The film might actually be pretty good because they’re both talented guys…”

It was the nearest I’ve ever come to being booed off a panel. I’ve never been barraged with that much hostility. Even some of the pros were looking at me as if I’d advocated using a dead baby seal to bludgeon the Pope.

Comics review: Age of Bronze

digresssmlOriginally published April 2, 1999, in Comics Buyer’s Guide #1324

A couple of things…

I don’t usually do reviews, leaving such efforts to the extremely able talents of such folks as Tony Isabella, the man with two first names, one of which belongs to a famous queen. But there’s a relatively new title out (two issues on the stands as of this writing, possibly more by the time you read this) that I cannot recommend highly enough.

I hate to say that it’s the kind of title that we need, because that makes it sound like required reading or something that is similar anathema to most fans. Nevertheless, I think the title unquestionably falls into that category. And what I am speaking of is Age of Bronze: The Story of the Trojan War.

Behinds the Scenes at a Major Comics Publisher

digresssmlOriginally published January 29, 1999, in Comics Buyer’s Guide #1315

(Interior, conference room of a Major Comics Publisher. Several Executives are waiting. Executive A enters, two issues of Comic Buyer’s Guide tucked under his arm. He slams them down on the desk and projects his ire to the others in the room.)

EXEC A: Did you read this? Did any of you? This whole “MarvelManic” satire that compares us with Titanic?

EXEC B: It’s satire. It’s nothing.

EXEC A: I want this David guy gone! I want him off any titles that he was working on for us! And I want it done nine months ago!

EXEC C: You got it, boss.

Image: A Look Back

digresssmlOriginally published October 9, 1998, in Comics Buyer’s Guide #1299

So was it worth it? Image, I mean. Understand, I’m not speaking of the company in the past tense, although some people already are.

I’m speaking of the original launch, filled with high-flown cries of independence. A group of friends, banding together and displaying their independence, thumbing their collective nose at the Big Two in general and Marvel in particular. Friends, going into business together. “Friends and business, now there’s a volatile mix,” I said, and was roundly castigated for it.

Comics and Ageism

digresssmlOriginally published September 11, 1998, in Comics Buyer’s Guide #1295

Harlan Ellison told me an interesting anecdote, in relation to the Writers Guild of America’s committee on ageism. The head of the committee, a writer well into middle age, was complaining of rampant ageism in the industry: a very pronounced prejudice against older writers. Another writer, upon hearing this, said, “I know exactly what you’re talking about. I’ve had to deal with that kind of thing, too.” The committee head was skeptical that the relatively young man could have experience with prejudice on the basis of age.

The young writer then related the tale of an appointment he had with the producers of Spin City. He was going to pitch story possibilities, perhaps even be in line for a staff position. He called the day before the meeting to confirm. He was told, yes, by all means, they were looking forward to meeting with him. Then he was asked, “By the way, how old are you?” He was, he told them, thirty-one.

“Oh,” the person on the other end informed him, “Then you don’t have to bother coming in. We’re only looking for people in their twenties.” Keep in mind that the series was created by Gary David Goldberg, who hasn’t seen twenty in several decades.

Talent didn’t matter, experience didn’t matter, knowledge didn’t matter. Old is bad, young is good, and anything which has the slightest taint of “not now” is tossed aside.

Comics Then and Now

digresssmlOriginally published September 4, 1998, in Comics Buyer’s Guide #1293

The past couple of columns, we’ve discussed aspects of, and moments in, comic history. I rattled off about a dozen or so examples of what I perceive as some of comics’ most “memorable moments,” all of which occurred—as will come as a great shock, it seems, to many modern readers—at a time that pre-existed not only their interest in comics, but their birth.

What we’re seeing, when we witness the sort of shortsighted displays as Wizard‘s 25 most memorable moments in comics history, almost none of which occurred earlier than 1979, is the sort of massive blind spot which is rampant throughout not only comics readership, but throughout much of the country. It is the belief that history doesn’t matter. More—that it’s boring. Irrelevant. That whatever happened before, it can’t possibly compare in quality, style or importance with what’s happening now.

Memorable Moments in Comics History, Part 2

digresssmlOriginally published August 28, 1998 in Comics Buyer’s Guide #1293

Before we continue with the thread of last week’s column, I have a bit of business to attend to, so bear with me.

It has come to my attention that there was a guy running around on message boards and DC Comics websites masquerading as me. He has been discussing upcoming events in books of mine (meaning he reads Previews, I suppose) and has also been badmouthing the work of pros such as Grant Morrison. This is not grief I need.