“POTATO MOON,” Part 20 by Steven Marsh

potato_moon“Will someone explain what’s going on?” shrieked Woeisme as Edwood revved the engine into a fine red whine.

“How to explain the immortal perspective?” began Edwood. “I’ll try. Over 50 years ago, encrypted messages began appearing in newspapers. Strings of seemingly random letters could be decoded by keen eyes to spell out answers to questions.”

“You mean those Jumble puzzles?” asked Jakob.

“I do,” said Edwood, betraying no emotion. “I’ve honed my skills over the years, and can unscramble such sequences into the form that makes the most sense. Woeisme, how many letters are in your name?”

“Seven.”

“Right. Jakob, how many letters in ‘potatoe’?”

“Six.”

“I was pronouncing the silent E.”

“Oh, right. Six.”

Cowboy Pete Plays With “Dollhouse”

The conventional wisdom is that one should give a Joss Whedon program much longer than you would give a show produced by just about anyone in the known universe because it takes you THATLONG to realize the full scope of what’s involved. This is a fairly recent worldview considering that viewers knew pretty much what “Buffy” was about from the pilot, and that includes the abortive pilot that never aired. Same with “Angel.” But because of his body of work, Whedon himself should have our trust. Not the program itself, but Joss.

So I’ve been fairly restrained, waiting to see the overall concepts, waiting to see where Joss and his merry band of pranksters was going with this. And I find that, at the end of the season, as engaging as the last aired episode was…

If I never see another episode…oh well. And that’s because the show never got past the major problems I had with it initially.